SPELLO - THEATRE SUBASIO
Season of contemporary theater
FRIDAY 'November 28, 2014 21.15
UNDERGROUND THEATRE
Be normal!
Daimon Project
concept and direction Theater Underground
staged Sara Bonaventura, Claudio Cirri
Writing Daniel Villa
lights Marco Santambrogio
consulting costumes Laura Swings, Sofia Vannini
objects Cleto Matteotti, Eva Sgro '
graphic Massimiliano Mati
drawings Claudio Rifle
Underground Theatre production
coproduction Theatrical Association Pistoiese, Central Fies
support for the project BE Festival (UK), Summer Opera Festival Veneto, Tuscany Region
residences Central Fies, Theatrical Association Pistoiese, Warwick Arts Centre
Underground Theatre is part of the project Fies Factory
What do you do for a living? I saw the best minds of my generation to wonder if they pay you, what, how many hours a day you do, how long do you think you do, you do it because you feel the need to do or need to do for money? I saw the best minds of my generation get lost and forget. I saw the best minds and also the worst look straight in the eye and shoot their own daemon, so that I do. If we were to do a play would speak of this, there would be two actors more or less in their thirties, a male and a female, would be Italian, ordinary people, and should be a big ass on the scene, trying in every way to do it is not clear thing, the public should feel pity for them, then for himself, then everything would be worse, would be a disaster, and maybe we could do away forever with the question "Of course, the theater - but work?".
"Underground Theatre finds the effectiveness of its theatrical language dry and ironic, a" measured unreality "about the hard life of the thirties." Anna Bandettini,
FRIDAY 'December 12, 2014 21.15
Finding beauty
dramaturgy Michelangelo Bellani
with Giulia Battisti, Michelangelo Bellani
directed CLGrugher
organization Mariella Nanni
The production company of the show
with the collaboration of Attack
It is a work on salvation. The salvation of beauty.
The beauty lives submerged in our time. So we must move in the suburbs human, in the slums. "Beauty will save the world" wrote Dostoevsky. Now is the beauty that must be saved. More than a story is a glimpse. A clown dyslexic and a young woman of today. The clown perhaps comes from the famous episode of the tragic clown narrated by Søren Kierkegaard who sent to announce the fire of the circus, it is believed by the public, thinking it is a comic number, bursts out laughing and end up burned by the flames.
The young woman is taken (in case) from one of our families.
Among bulbs switched on and off, a dialogue that speaks of nightmares, trauma, dreams, the difficulty to express themselves and to use the words of poets killed that "there are not many in the world" and, finally, human beings that anyway r-exist along with search / find.
"Intense, with a happy interpretation of Michelangelo Bellani in the Clown."
Gaetano Massimo Macri - Periodico Italian Magazine
Saturday, January 10, 2015 21.15
BEAT 72
She was the mother
Entertainment Theatres Festival winner in 2013 of the sacred
Angela Demattè
a show of Sandro Mabellini
interpretation Angela Demattè, Giulia Zeetti
execution and musical score Antonia Gozzi
songs Ambrogio Sparagna
we thank the Social Center Barrio's for the residence and Olympian Mazzorana for the photo of the cross
Angela Demattè, Sandro Mabellini and Ambrogio Sparagna are measured with the Stabat Mater Jacopone. The result is a comedy show.
What is certain is that there are three women under the cross. Called to interpret the three Marys in an American film. But they know little, after all, of that story. What is certain is that it must be a serious issue. Have heard of it, from childhood. But the centuries have made ​​them forget what that Christ and that pain. Do not see it right. Of course, those songs that sing remind them something ... something very deep that they have forgotten but ... boh. Then there is life and everything else.
The daily dialogue between these simple women of central Italy is opposed to continually musical score, enriched with a repertoire of folk songs and songs of Ambrogio Sparagna, which acts as a constant reminder of something more. To another age and another level of humanity.
PS: The text of Angela Demattè is comical but then becomes dramatic while remaining a little 'comic. Like life, practically.
"The Stabat mater of Jacopone through mobile phones of the stars, popular songs are intertwined with synthetic sounds live, the feet of a crucified Christ incumbent on actresses who pass incessantly, with masterful micro changes in body-voice, From the exhilarating to the tragic. "Michele Pascarella, Hystrio
FRIDAY 'January 30, 2015 21.15
THE CLOUDS AND STABLE THEATRE OF NAPLES / THEATRE MERCADANTE
The Miser
free adaptation of "The Miser" by Moliere and "Aulularia" Plautus
adaptation and directing Rosario Sparno
with Nunzia Schiano, Giorgia Coco, Stefano Ferraro
scenes Enrico de Capoa and Rosario Sparno
lighting design Riccardo Cominotto
costumes Alessandra Gaudioso
stagecraft Gaetano Maso
stills Vincenzo Broccoli
graphic Luciana Florio
Interesting work produced by this company The clouds of Naples from Moliere's The Miser and Aulularia Plautus.
A classic course, but revived with great immediacy and vividness. The show is in fact part of a major project collaboration between the Teatro Mercadante stable of Naples and the Teatro stable Clouds of Naples c he provides for the adaptation of classical theater for young audiences.
The reinterpretation of "The Miser", absolute masterpiece of style and elegance narrative, takes us straight into the heart of Paris Moliere, with his vices and his fears, his jokes and his antics a lot like many aspects of time that we live now.
Our miser accumulates but does not invest, preserves but does not use; owns but does not share. And are these features to make his avarice a problem not only personal but social: the miser is the antisocial par excellence.
Saturday, February 21, 2015 21.15
COMPANY M'Arte
Sinnavissi
Sabrina Petyx
directed by Giuseppe Cutino
Catherine Marciano and Sabrina Recovery
props and costumes Daniela Cernigliaro
realization video Ivano Iaia
thanks to Emma and Dante "
New show of the Sicilian airline M'arte, already hosted successfully in past seasons of the Theater Subasio. With the intensity of their artists in the south, the show deals with strong comic verve and style grotesque one of the evils of our time: sloth.
Sinnavissi is like the banner of an era inhabited by a people lazy, indolent and resigned but never won. Why do you have to lose in order to have at least tried to fight. So much so, that has to happen? "What do you think that things can change? But when ever! The way things are and it is useless to think that we are! ". And the people of the buoys is increasing day by day, the people of the buoys slowly begins to invade the sea ... On the shore a few still think you can do it but very few really know what to do, because the buoys float always, the cold, the heat, good weather and with the storm, "and it is useless to think that we are!". It is useless. Needless? Mah! I "sinnavissi" way to recover the sea ... (sp)
Sinnavissi tempu 'u facissi ... the time is never enough. The time to do things is a time so great ... but so large that eventually you run out in no time ... and therefore we prefer to do nothing. But we fill the mouth of all. Sinnavissi is the triumph of nothingness that surrounds our lives no longer have the desire to dress to the nines. There. Smashed in front of us, on a bed, watching us, watching us, and laughs of our smallness. (Gc)
FRIDAY 'March 13, 2015 21.15
Leonardo Capuano
Sa vida my perdia bit Nudda
freely adapted from Crime and Punishment by F. Dostoevsky
and starring Leonardo Capuano
production 369 Degrees - Armunia
Freely adapted from Dostoevsky's Crime and Punishment, the show begins where the novel ends with the protagonist Raskolnikov in prison for killing an old-lender taking possession of his money.
We are in the prison gym. In the ring Leonardo Capuano, outstanding actor of great intensity and experience, plays Raskolnikov who trains only, runs on the carpet, talking, sweats, remember, pull shots to a mannequin.
One hour of training, one hour of delirium in which resurface the places, the streets, his room, and the people of its history.
Raskolnikov against everything, against all those who mock him in prison, and against those who have gone that far to look for him, to torment him: imitates them, makes them, them, "reads", who live with his sarcasm, teasing, challenging them on the mat to fight with him, or showing all the bitterness, as when the mother and Katerina Ivanovna in her memory mingle and become one woman speaking in dialect to his son.
"On the side of the stage to thunderous exploits it is because Leonardo Capuano, a character that belongs to the genetically delirium expressive of one man show, author-actor with strong gestures, crossing from one emotional state dark, wounded, painful, although manages to soar with flashes of self-deprecating little fun. " Paolo Ruffini, PrimaFila
Saturday, March 21, 2015 21.15
theater lina
Ziguli
from the book Ziguli Massimiliano Verga, courtesy of Arnoldo Mondadori Editore
with Francesco Colella
sound design Giuseppe D'Amato
original music Alessandro Linzitto
scenography Unless Ingala
assistant director Leonardo Maddalena
adapted and directed by Francesco Lagi
Award winning show In-box 2013
show winner Troy Festival Theatre
Ziguli is the diary of an extreme experience of fatherhood, recounts the relationship between a dense and rugged father and a disabled child. Speaks of the possibility and the ability of these two people
contaminated with one another. The father and son are two strangers that someone or something he had to know.
The son, in our show, is always invisible, only evoked and always present
as a small, mysterious deity. There is only the father, its fragility in the face
the child's disability. The fear of death and desire. The inner need to disappear.
The ball sweet candy and bitter one language licking the ground. And then the
warheads, pressures, bites, scratches between the hugs and explosions of laughter. And, sometimes,
kisses. Because in this story, which is primarily a love story, it all happens
disorderly, no etiquette sentimental.
"Francesco Colella is intense and believable in all its shades [...] Without any weapon, only with its simple and direct participation in the events narrated, pours on the public all its diverse emotions, without pietism of sorts but also with moments of anger and even irony, bringing light into a world only of twilight. "Mario Bianchi, KLP theater
Saturday, April 25, 2015 21.15
Jacob Olesen
First
freely adapted from "If This Is a Man" by Primo Levi
Jacob Olesen
adaptation of John Calo and Jacob Olesen
Director John Calo
production Enrico Carretta
original music Massimo Fedeli
lighting design Luke Febbraro
scenes Antonio Belardi
the subjects of the set are taken from the works of Eva Fischer
"Sometimes you survive to tell. Primo Levi lived to tell. "First" wants to give voice to his testimony, because you can not forget, you should not. The intensity and lightness of the word of Levi, together with the great literary value of his account, have encouraged our work and shown the way forward. His dialogues are already a force play and a description that makes men helps the actor's work.
It is therefore yet to tell, indeed to tell in the most immediate and amplified, to revive the experience of Levi and his companions disappeared, to a different audience and wider, the new generations. His testimony is represented in amazement rational simplicity and, to the extent possible, lightly, to guide the viewer to a conclusion, in a judgment, without gridargliela ears, give it to him without already manufactured. For this reason there is a lot of attention, as well as to the atrocities, including to moments and episodes of everyday life, relaxing, dream. Trying to maintain the charge of human characters, even if destroyed by violence and consumed by the ongoing conflict which were trying to survive. " John Calo
TICKETS
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Shows theater workshops (non-subscription) € 7
The ticket office is open on the day of the show from 18 hours Tel. 0742 301 689
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SUBSCRIPTION TO 4 SHOWS A CHOICE
Full € 40
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Fontemaggiore calling tel. 075 5286651 - 075 5289555 from Monday to Friday from 10 to 16
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at the Theatre Subasio Wednesday 26 and Thursday November 27 at 17:30 to 19:30; Friday, November 28 hours 17:30 to 20:30.
TELEPHONE RESERVATIONS SHOWS
Fontemaggiore tel. 075 5286651 - 075 5289555 (Monday to Friday 10-16 hours)
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INFORMATION
Fontemaggiore tel. 075 5286651 - 075 5289555
Theatre Subasio tel. 0742 301689 (only the days of the show from 18 hours)
